It's competition time again! Woo hoo!

On offer this time is Nicholas Knight's Supernatural - The Official Companion Season 2, which as you might suspect, is a "companion" guide to the second season of Supernatural. Here's the promo blurb:

This official companion is packed with exclusive interviews, photos, behind the scenes secrets, a complete episode guide, plus a color portrait gallery of the stars.

This season 2 official companion features a foreword from producer/director Robert Singer, plus an abundance of exclusive comments and content from series creator and executive producer Eric Kripke. There's a complete season two episode guide, packed in with exclusive interviews, and dozens of photos, including a 16-page color portrait gallery, and behind-the-scenes secrets, including a Meet the Crew section on the writers, editors and make-up designers.

Fans will also find detailed features on the characters and creatures from the show, including a closer look at Creepy Clowns, and you won't want to miss our 22 useful hints for aspiring monster hunters!

Indeed. 

It's pretty much what it says on the tin, here. As with any licensed book or magazine (not just Titan's), you'll find nary a word of dissent or suggestion that any episode was not in fact the best thing to happen to the human race since Adam and Eve left the Garden of Eden – each building on the previous glorious episode until the Rapture of the finale. 

All the same, it's not half bad for what it is. One page bios on supporting actors aren't going to tell you very much at all, and the useful facts about monsters are one of those filler concepts that have been crammed into genre books since practically the dawn of television. But you get some behind-the-scenes facts that are quite interesting, as behind-the-scenes facts go, and you learn about how the story arcing was done, how it progressed, how budget limitations changed it and so on. 

At £9.99, it's possibly a bit pricey for a softback book that's predominantly black and white with a few colour photograph pages. And the writing style is possibly a bit young for a show that's aimed at slightly older teenagers and young adults. But if you're a big lover of Supernatural and want every possible nugget of info possible about the show, it'll do what you want. 

To win a copy of the book, all you have to do is leave a comment below before the 31st May (that's two weeks away), explaining why you deserve it more than anyone else – the most deserving plea will get their pristine copy posted to them ASAP. Or you can just try to amuse me: that'll work, too.

Apologies to overseas readers, but again, the competition's open only to UK residents, since I can't be airmailing these things on my budget. I'm not made of money. 

You can find out more about the book or buy it from Amazon.co.uk.

Read other posts about: Supernatural

Well thank heavens for that. For one terrible moment, I thought we were going to go through an entire nu-Who series without there being a completely bollocks episode. 

But praise the Lord, it's happened. A true piece of rubbish. Ladies and gentlemen, we've found this year's Evolution of the Daleks.

Continue reading "Review: Doctor Who 4x6 - The Doctor's Daughter"

I'm sitting here wondering how this Big Finish downloads 'taster' service is going to work. In essence, it's simple. Pay 99p and you can download the first episode of any play. Like it and you can download the rest for £12.

All well and good, you might think. But the trouble with most Big Finish plays is that the first episode usually isn't that good. Either it's terminally dull set-up for a story that only later turns out to be intriguing, or it's all a complicated set-up for a story that only explains itself in the fourth act.

Case in point: The Haunting of Thomas Brewster. This comes across in the first episode as a cross between a piece of Oliver Twist fan fiction and a standard twisty turny time-travel story in which everyone starts popping up and laying down plans before events have caused them to happen – or they've even arrived.

Yet, if you miss out on it, you'll be missing out on a new (and possibly interesting?) series of fifth Doctor adventures.

Continue reading "Review: Doctor Who - The Haunting of Thomas Brewster"

Read other posts about: Big Finish

Ah. Now that's better. Finally, a decent two-parter and – miraculous though it might seem – one written by Helen Raynor at that.

After last week's poorly paced but still reasonably good first part, I was expecting a lump of old rubbish for the second part, since that's how it usually pans out. But hurroo, hurray, bar the occasional bit of dodgy dialogue, direction and acting, it was good.

Continue reading "Review: Doctor Who 4x5 - The Poison Sky"

Read other posts about: Stargate

In the UK: Thursdays, 9pm, BBC1 

Clearly, with all the kids off watching their XBoxes instead of TVs now, commissioners at the mainstream channels are looking at tired, worn out, older viewers who remember a better time to bolster their audience figures.

Look at New Tricks, in which a bunch of old blokes from better TV shows that we all remember from the 70s and 80s get together to fight crimes and show us how it was done in the good old days.

Now here's the flipside of that coin, in which two actors we remember from shows (and adverts) of the 80s and 90s get together to commit crimes. Course, back in those days, the gangsters were proper gentlemen weren't they. Not like the scum these days. They won't even tell proper jokes while they're breaking into your safe.

Continue reading "Review: The Invisibles 1x1"

Went to the NFT's showing of Murrain, an episode of the old play strand Against The Crowd* written by Quatermass creator Nigel Kneale, and Robin Redbreast, from the BBC's Play for Today written by British arch-surrealist John Bowen.

Robin Redbreast
Surprisingly, Robin Redbreast was the stronger of the two: think a cross between Rosemary's Baby, The Wicker Man and The Aphrodite Inheritance, all set in the Cotswalds, in which a newly single TV script editor finds that country folk have their own strange ways. Absolutely off its head, with bizarre naked karate in the woods, appearances by Herne the Hunter and Wayland the Smithy, and some of the weirdest dialogue you'd ever hear, it was just endlessly entertaining.

Murrain
Murrain was relatively normal by comparison, a standard piece of Kneale fare in which superstition meets science – in the form of a pig farmer who thinks a local woman is really a witch and a vet who wants to protect the little old lady from those nasty bumpkins. If anything, it proved that DoPs in the 70s shouldn't have got ambitions above their stations so many years before the invention of the Steadicam. Not really worth looking out for unless you're a big fan of Bernard Lee (the original M in the Bond movies) or the scary dad in Sapphire and Steel - Assignment 1.

The audience: As always, it's worth reviewing the audience:

• An above average beardy weirdy count this time, with a folk music DJ playing in the bar afterwards
• Two audible uses of 'the voice'
• On my left, a young posh girl out with a ridiculously older man who clearly wasn't a relative (shudder) and who insisted on narrating the plays to each other when they weren't making out
• On my right, a man with little understanding of personal boundaries and an incredible sinus problem: so bad was it, that the man to his right had to squeeze his way past Kim Newman at the end of Murrain to escape the torture in time for Robin Redbreast. I could not escape past 'the lovers'
• The man behind me started snoring 10 minutes before the end.

I've had better nights out

* My, didn't they think they were being subversive?